Ashwayne | 
12 23rd, 2008| 
Genre:Drama
Language: English
Size: 300MB approx
Format: RMVB
Hosting: RS.com
Link in Total: 2
Picture quality: Very Good.
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23
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Director : Shaffi
Cast: Dileep,Kunchacko Boban,Navya Nair
Music : Beni Ignatius
Sypnosis :
Shafi’s Christmas release Kalyanaraman, a hilarious laugh riot.
The film starts with a 78 year old Ramankutty (Dileep) telling his story in a flashback to his grandchildren. He belonged to a family who were wedding planners who arranges everything that goes into a wedding like erecting pandals, decorating the house, arranging musicians, generatorr, cars and even cooking for the wedding party! During one such wedding at the Ambadi Thampi’s house where Ramankutty is in charge of all the departments, the marriage gets cancelled in the last minute. The reason was that the groom refuses to tie the knot, as the bride was dumb.
But a good man at heart, Ramankutty asks his brother who is a doctor to marry the helpless girl. But soon Ramankutty falls in love with the girl’s sister Gowri (Navya Nair), but she pretends to be in love with her uncle’s son (Boban Kunchakko), a pop-singer in Bangalore. But later Ramankutty learns that Gowri loves him, but Thampi feels that the women in Ramankutty’s family die at a very young age and so he is against their wedding. How Ramankutty marries Gowri against all odds and live to tell their grandchildren about their love story, forms the rest of the story.
The story is wafer thin and has been made keeping Dileep’s current image in mind. Anyways the film is all fun ‘n’ frolic as director Shafi and script writer Benny.P.Nairambalam could have made it a whole lot more cherishable as simplicity is forsaken for chaos. Dileep is superb and Navya Nair is improving with every film.
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Dec
23
Direction : Santosh Sivan
Cinematography : Santosh Sivan
Story : Sunil Parameshwaran
Production : Manian Pillai Raju, Ajaya Chandran Nair, Reghu Chandran Nair
Editing : Sreekar Prasad
Distribution : Vishaka Release
Release date : 4 November 2005
Music : M. G. Radhakrishnan
Starring : Prithviraj, Kavya Madhavan, Manoj K Jayan, Riya Sen,Kalabhavan Mani, Cochin Hanifa, Nedumudi Venu
Sypnosis:
Ananthabhadram (also spelled Anandabhadram; in Malayalam: ?????????? ) is a Malayalam film released in 2005 about ghosts, spirits, and black magic, based on the award-winning novel of the same name by Sunil Parameswaran. It is the Malayalam venture of Indian director Santosh Sivan as well as of Bengali model/actress Riya Sen. Ananthabhadram was inspired by the paintings of Raja Ravi Varma, Theyyam and Kathakali dance movements, and Kalaripayattu.
Ananthabhadram won five awards in the Kerala State Film Awards 2005, and was a commercial success as well. It is the first Malayalam feature screened using a satellite feed instead of conventional prints; aimed at an international market and released as a Ramadan special, it was also dubbed in Tamil, Telugu (as Sivapuram), and English.The story of Ananthabhadram is a fairy tale. Set in rural Kerala, the tale is dominated by black magicians, martial arts experts, sorcerers and seductresses. Sivan said “it was the story of Ananthabhadram that captivated me. The stories my grandmother used to tell me used to take me to a world of mystery. It was the same feeling when I heard this story and I have tried to capture that in my film.” Parameswaran says, “The fables that my grandmother narrated to me when I was a kid was there at the back of mind and that has been a source of my stories.
The movie opens with little Ananthan hearing a tale from his mother (Revathi). She tells him that his family in the ancient village of Shivapuram comes from a line of powerful magicians. The family is responsible for protecting nagamanikyam (a jewel on the serpent’s head), which lies in a secret place in the house guarded by snakes, including a tiny snake called Kunjootan.
The real story begins when Ananthan (Prithviraj Sukumaran) returns to his ancestral village of Sivapuram from the US to light the lamps at Shivakavu, a dark and mysterious temple of Shiva, obeying the long-standing wish of his dead mother. On his way home he meets Maravi Mathai (Cochin Hanifa), the story’s comic relief, on the train. The local black magician Digambaran (Manoj K Jayan) opposes the lighting on the grounds of local superstitions in order get his hands on the nagamanikyam, and disbeliever Ananthan meets the supernatural for the first time in his life.
Chemban (Kalabhavan Mani), the blind martial arts expert, stands in Digambaran’s way; the evil black magician manages to remove Chemban from his way, and leaves a trail of blood in his wake. Digambaran lures Chemban’s sister and his lover Bhama (Riya Sen) a series of sensuous and evil magical rites that feature a wide paraphernalia of the exotic, including Kathakali movements, traditional magic spells, special effects, and make-up artist Pattanam Rasheed’s black-and-red face paints.
Meanwhile, Ananthan’s cousin Bhadra (Kavya Madhavan) falls for him and his light-hearted flirting, eventually leading to a commitment of love between them. In his effort to fit into the local environment, Ananthan wins the villagers’ hearts by his easy kind manners; breached only when the magician takes over his mind for a short while. Bhadra faces the dilemma of choosing between Ananthan’s love and becoming a Devi (goddess) in a mystical ritual of self-offering.
In the end, Ananthan and Bhadra escape Digambaran’s sinister tricks and unravel his conspiracy in front of the villagers, who always believed him to be a benevolent mystic. The fight to the end sees Digambaran destroyed and Ananthan restoring the nagamanikyam.
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Dec
23
Direction: East Coast Vijayan
Cinematography: Alagappan
Story : East Coast Vijayan
Production : East Coast Communications Pvt. Lmt.
Editing : Vijayakumar
Distribution: East Coast, Kalasangam
Release date: 31 December 2007
Music : East Coast Vijayan
Starring : Jayaram, Sadha, Jagathi, Nedimudi Venu, Saiju Kurup, KPC Lalitha
Sypnosis:
Novel, which is the debut directorial venture by Vijayan East Coast, can be strictly prescribed for those with a romantic temperament. The film develops through the life of Sethunath - a successful businessman and a poet who is presently on the limelight following his new book ‘Swantham’ earning the commonwealth awards. As every media tries to get an exclusive from him, he keeps on evading all the possible attempts of getting into limelight. He passes off the award with less interest as he never knew who has translated the book and presented it as a nominee for the commonwealth awards.
Aneesa, the leading reporter of malayala nadu and an ardent fan of Sethunath is hell bound on getting an exclusive interview from him and for that she bribes Subrahmaniam Swamy, the personal assistant of Sethu and somehow gets into touch with him. Impressed by Aneesa who is also a product of an orphanage where Sethu was also a resident, he begins to narrate the events in his life that led to the creation of the coveted novel.
Thereafter the film takes us on a romantic trip into the lives of Sethunath and Priyanandini, the later, a singer who hit it big with the lottery commercial that was made by Sethu. Priya who is the daughter of Dr. Bhanumathy gets offers in films, with the support of Sethu, and within days the two are drawn closer to each other. Priya becomes a source of inspiration for Sethu , who is a victim of a disheartened marriage. He regains his power of creativity as Priya urges him to refresh his writing skills. All is well, until things get complicated following the arrival of Manju, Sethu’s wife from U S, not to let him marry Priya.
As a script, the film’s premises don’t offer much promises. Moreover, with such a wafer thin plot, an experienced director could have made some sequences work. The scenarists Ashok Sasi, fails to bring out anything much impressive, even though from a weaker plot. The film suffers from slow narration from the very first scene, and the only thing modern and trendy in the film is the costumes that the characters use, all along.
The high light of the film is definitely Sada, who proves well with her first outing in Malayalam. She has a heavy role under her disposal which is done incredibly well. Jayaram is in his very usual self as Sethunath. None of the others in the cast, including Shaari as Manju, Nedumudi Venu as Kunjan Nair, Bindu Panicker as Sethunath’s sister and Devan as his brother-in-law have much to do. Jagathy Sreekumar as Subramaniam Swamy, is wasted in a role that stretch all across the film. The actor seriously is having a bad time with the screen, now a days. Though he is appearing in every second film that is coming out, none of them is giving him ample space to leave his personal mark.
The other highlight of the movie is definitely its songs that are, penned by the director himself. Every song in the film is exceptional, even though it cannot be said about their visualizations. Songs like ‘Onninumallathe..’ and ‘Urangaan’ are already in the helm of popularity. Azhagappan behind the camera gives the film a pretty serious appraoch
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23
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23
Direction: Anwar Rasheed
Cinematography: Loganathan
Story: Benny P Narayambalam
Production: Shahul Hamid Marikar, Antojoseph
Distribution: Marikar Films Release
Release date: 11 April 2008
Music: Rahul Raj
Starring: Mammotty, Gopika, Lakshmi Rai, Janardhanan, Suraj,Salim Kumar, Siddique, Rajan P Dev.
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23
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23
Cast:
Mohanlal, Parvathy, Jagathy, Shamna Kasim, Siddhique, Indrajith, Saikumar, Suresh Krisna, Suraj Venjaaramodu, Ponvannann & Biju Kuttan.
Direction:
Sibi Malayil
Production:
Tomichan Mulakuppadam
Music:
Gopi Sunder
Synopsis:
The film opens with the introduction of bold and beautiful, Dhwany Sekharan, a hyperactive engineering student and daughter of Chennai based construction business man Shekharan Nair, who is left in their ancient kalarithody tharavadu with her grandfather, after the early death of her mother. Shekharan, on the other hand had a lot of resistance in his family itself in the form of his younger brother Bhadran and his cousin Arun, who don’t want him to head any of the initiatives of the wealthy Karlarythody group of companies. Dhwany, who share a special relation with her grandfather, gets all support on her endeavors from him, whether it is the issue of teasing her uncle Viswanathan Nair or in the issue of the secret relation between the home driver and her cousin Veena, which was brought to public by her. It was at this point, Dhwany started showing some kind of anomalies in her behavior. And immediately her Uncle’s son Priyan, with whom Dhwany’s marriage has been talked off, takes note of this and entrusts his guide and employer Midhun Madhavan to treat her.
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Dec
15
Released : 12 December 2008
Genre : Drama | Sci-Fi | Thriller
Starcast : Keanu Reeves, Jennifer Connelly, Kathy Bates
Desc : A remake of the 1951 classic sci-fi film about an alien visitor and his giant robot counterpart who visit Earth
Duration : 2hr12min
Size : 107mb
PASS:ultrascorp
Full Movie Review and Description
The epic science fiction blockbuster is slowly but surely becoming a dying form of cinematic entertainment. Not since the days of cold war paranoia and the initial splurge of CGI technology back in the nineties has the genre seen much love either from its core enthusiasts or those looking for something big but different. Yet there are numerous obvious reasons for its decline in demand, most of which are unavoidably apparent in this, the latest and arguably first of its kind for over a year now, The Day the Earth Stood Still.
Based upon a movie from the genre’s heyday, director Scott Derrickson’s version lacks the same sense of awe, conviction and relevancy to our current social climate. Bombarded with underdeveloped themes, an incoherent plot and extremely rough characterisation, the movie suffers not just from a lack of significance in its arrival, but also in its implementation. Most disappointing of all however is that in spite of the many technical flaws present, the biggest let down is that the movie simply doesn’t convince; the effects are impressive and the story can be gripping through its thick layer of foreboding atmosphere from time to time, but an overall lack of substance hurts the film’s ability to truly draw you in and take off. It’s a routinely enjoyable experience sure enough, but an over reliance on this safe-play structure stops the feature from excelling beyond mere light entertainment.
When the credits roll however, despite the movie’s impressive effects, imaginative premise and somewhat entertaining moments, The Day the Earth Stood Still simply feels like an empty experience. As science fiction, the movie conjures up some intelligent questions and yet David Scarpa never seems quite up to the task of taking them any further; and as popcorn fodder, the movie simply doesn’t do enough rule-breaking to come off as anything but standard fare. This awkward need to balance both crowds irrevocably results in a feature that indeed avoids polarising, but only to the point where mostly everyone will leave feeling under-stimulated. It has its fair share of compelling and visionary moments, but a distinct lack of development, coherency and substance stops The Day the Earth Stood Still from being one worth remembering. Light sci-fi with a dash of social intrigue that mildly entertains, but never reaches its potential.
MEGAUPLOAD
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SPEEDSHARE
Dec
15
Cast: Shahrukh Khan , Vinay Pathak , Kajol , Rani Mukherjee , Preity Zinta , Priyanka Chopra
Director: Aditya Chopra
Music Director: Sulaiman Merchant
Sypnosis: SHAHRUKH is married to ANUSHKA but there is a huge age gap between them. There is no real romance in the marriage. Then, a dance reality show called “Rab Ne Bana Di Jodi” airs and ANUSHKA wants to participate but can’t because her husband is not hip and happening, she has a fear of losing and she also fears that her friends will laugh at her. SHAHRUKH overhears this problem and decides to go in for a makeover. He watches some movies and learns to dance in order to woo his young wife. Throughout the show ANUSHKA keeps falling in love to with this ‘new and improved’ SHAHRUKH KHAN without once realizing that he’s her husband. In the end, a justified title “Rab Ne Bana Di Jodi”
Dec
12
Cast: Rahul Bose, Irfan Khan, Rahul Khanna, Soha Ali Khan, Konkona Sen Sharma, Payal Rohatgi
Director: Anil Sharma
Sypnosis: Dil Kabbadi is a marital comedy and to quote Irrfan Khan “It is Kabbadi that one’s heart plays”. The film delves into the lives of two couples who are caught in the web of post marital boredom. How the couples deal with an irresistible temptation of lurking out of the relationship for some fun is what the film explores. All in all Dil Kabaddi is a humorous take on urban relationships.The film stars Irrfan Khan, Rahul Bose, Konkona Sen Sharma, Soha Ali Khan, Rahul Khanna and Payal Rohatagi in lead roles and is directed by debutant director Anil Sharma.
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10
Star Cast
Shabana Azmi…… Mother Gayatri
Boman Irani…… Navin
Sanjay Suri…… Harshvardhan
Sharman Joshi…… Siddharth Mathur
Chitrangda Singh…… AaliyahSypnosis:
Siddharth Mathur, a shy young scientist, travels to Mauritius for his elder brother Harsh’s wedding. Accompanying him is his Ma, a reluctant traveller since she is angry at Harsh for deciding to get married without consulting them. Also travelling is Siddharth’s cheery father, whose sole entertainment is pulling Ma’s leg.Harsh, pre-occupied with work, can spend little time with his family and it is left to his fiancée Aaliyah to show them around Mauritius before the wedding. However, Ma’s anger at Harsh ensures that she takes an instant dislike for Aaliyah, and it is Aaliyah and Siddharth who end up spending loads of time together. This, added to the fact that Aaliyah feels neglected by the career-obsessed Harsh, leads to them being irresistibly drawn to each other. A horrified Siddharth battles this attraction desperately, but Aaliyah has fallen madly in love and pursues him with single-minded determination. When Siddharth’s defences start crumbling and Ma starts getting suspicious, all hell breaks loose in the Mathur family…The movie is a fun romantic comedy with lots of moments that will make you cry and smile at the same time.
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Dec
10
Cast: Abhay Deol, Paresh Rawal, Neetu Chandra
Director: Dibakar Banerjee
Sypnosis:
What follows may have been true.
From the inner city ghetto of West Delhi, Lucky, a gawky 15-year-old lower middle class Sikh kid, rises to become one of the most wanted master thieves of India with tens of millions worth loot, a glamorous lifestyle, cars, women, and a fan following.
As a kid, there is little at home for Lucky except an alienated family and a dysfunctional relationship with his violent, bullying father. He is a keen observer of the world around him from his immediate surroundings his friends, dropouts, delinquents, petty criminals to the world he aspires to - the nouveau riche - private school kids, shining cars with power windows, and pretty girls from posh neighbourhoods who seem forever inaccessible - they all add to his store of knowledge.
Over his adventures, we see Lucky form his worldview. And that is - if you don’t have it, steal it.
Together with his childhood friend Bangali he graduates to becoming a full-fledged thief and is introduced to a man who will change the course of his life: Gogi Bhai - a flamboyant musical bandleader who’s also a fence for stolen goods. A man who becomes a surrogate father.
Lucky rapidly rises to become Gogi’s star operator. Through him Lucky meets a host of characters who will define who he will become including Dolly, Gogi’s aggressive, hard bitten star dancer and her college going, quiet younger sister Sonal with whom he begins a tentative romance. Lucky’s independent nature, insatiable ambition and hunger for the unreachable accelerate his path in crime and matters are brought to a head by a pivotal act of betrayal that scars Lucky for life and sets him off into a new trajectory of life.
Lucky’s journey develops him into a flamboyant playboy who now wants more than just the riches. Now he needs the respectability, the social standing of a city gentleman. Without sacrificing that reckless freedom he cherishes - the duality of having the freedom to steal.
But this is, perhaps, half the tale.
The other half is about why a wealthy thief who stole tens of millions worth of jewellery, cars, gadgets and other valuables would also steal a greeting card, a teddy bear and a framed photo of a family playing in the snow.
Dec
10
Cast: Naseerudin Shah, Om Puri, Paresh Rawal, Boman Irani, Neha Dhupia
Director: Shivam Nair
Sypsnosis:Subhash (PARESH RAVAL) has spent the last 10 years unsuccessfully trying to get acting parts in films. He makes ends meet by his uncanny ability to think on his feet committing small time cons on unsuspecting victims.
One night he saves a man’s life, to do so he puts his own at risk. He accompanies the injured man back home. Subhash is awe struck at the grandeur and affluence of Mr. Adenwalla. (NASSERUDIN SHAH) Subhash realizes this may lead to a generous tip.
Soon enough Subhash is hired by the grateful Adenwalla as his driver. The wife Mallika Adenwalla (NEHA DHUPIA) resents Subhash for his proximity to her husband and senses this man taking advantage of her husband.
Subhash now firmly ensconced in Adenwallas house and heart discovers his wife’s evil designs. On the other hand, Adenwalla, driven to the point of insanity by his money hungry wife decides to take the ultimate revenge. He puts his wife in a catch 22 situation by throwing down a challenge.
Subhash recognizes this as an opportunity to rid him-self of a life time of middle class mediocrity and poverty. He collaborates with Mallika to acquire all the money and property.
Working hand in glove, they get a caretaker (TARA SHARMA) with the help of their family lawyer (BOMAN IRANI) to be a witness to an ailing Mr. Adenwallas presence in the house which they concoct their plans.
Several thrilling situations arise in their plan, ranging from false alibis, double-crossing, phony kidnappings to hidden agendas which wreck havoc all around.
But even the best laid plans can go awry and this brings ACP Gokhale (OM PURI) and Inspector Borkar (VIVEK SHAW) into the picture.
How the scheming Subhash gets trapped in his own lies and how he finally manages to save his skin, forms the crux of the story.